I recognise when I am looking at a piece of art work my attention is drawn to colour, space, structure, organisational qualities and the ground and supports they are on. Through process and methodology I am searching for an equivalent, to experience another of what I am seeing. To achieve this I am considering what the places that evoke a deep meaning and emotion for me have in common: water, wrecks, history, mud, the submerged, rocks and detritus. I am considering local perception and local history. The sublime, the quality of greatness, a beauty you cannot explain.